The cream of the crop in Nikon’s Coolpix line of point-and-shoot cameras is the new S9300. This high-power zoom model features an 18x optical zoom with built in NIKKOR lens, lens-shift vibration reduction, and other high-end features (including integrated GPS support), all in a handy package. But that’s just one camera of the six new introductions you’ll find after the jump.
Panasonic is on a camera binge, adding some new rugged-point-and shoot models to their lineup. The TS4 and TS20 are aimed at users with the most demanding of needs in the most demanding of circumstances. Able to withstand depths of up to 40ft, drops of up to 6.6ft, and temperatures down to 14F, these new cams feature an altimeter, barometer log, and can record up to 1080i video. Check the full release after the jump. +Continue Reading
Sony has unveiled three new Cybershot point-and-shoot models in its T and W series, with a focus on high-resolution. All feature 5x optical zoom, thin body designs, and a new CMOS sensor providing high-quality low-light performance with anti-blurring and up to 1080i video recording. The DSC-WX70, which ships in March at a $230 suggested retail, features a 16-megapixel Exmor-R CMOS sensor, 3-inch 921,000 pixel LCD touchpanel, 1080/60i video capture in AVCHD format, dual video/still recording (at the 12-megapixel level), 5x optical/10x Clear Image digital zoom, 3D shooting and 3D Sweep Panorama, two-direction Optical Steady Shot system, and nine pattern picture effects options. The DSC-WX50, which ships in March to wider distribution at a $200 suggested retail, offers most of the same features as the WX70, but steps down to a 2.7-inch LCD screen. The TX200V, which ships in March at a $500 suggested retail, is a dust-proof model that offers an 18-megapixel CMOS sensor, 3.3-inch OLED touchpanel, 1080p video recording, dual video/still recording (at the 13.5-megapixel level), and a 5x optical zoom.
The small company finds are the ones that light me up the most. Sharing a booth through a distributor were two products that literally made me stop in my tracks on the show floor.
The SWIVI is a field monitor for SLR cameras. Fairly compact, the camera docks into the SWIVI, and provides a 5″ screen for video and still photography. A little extra space always helps when you’re trying to make sure what you’re shooting is in focus… +Continue Reading
I’ve been using Lensbaby gear for a while now; I still rock a Muse, and it’s easily one of the most creativity-inspiring products on the camera market.
Their booth was LITTERED with awesome. Composer Pros, different optics for their various systems, I spent quite a bit of time checking out their new tilt-shift mount for the Sony NEX… +Continue Reading
It’s finding the small manufacturers pushing the envelope that tend to be the most exciting at CES. While walking around the camera gear section, I found the BETA Shell booth, and was instantly hooked.
Safely transporting camera gear can be tricky. Lenses are built to sustain some abuse, but they are sensitive pieces of equipment. The traditional method of transport would be a flight case, but one big enough to hold a couple of lenses and a camera body can be kind of a pain to navigate with… +Continue Reading
We live in a world where Kodak is in talks with banks for bankruptcy protection and Polaroid is mounting a pretty successful market comeback. I want that to sink in for a bit.
Anywho, I got a little face time with the Polaroid z340 Instant Digital Camera, and this is a FUN little cam. Hearkening back to the days of the old One Step, the z340 is an interesting twist on consumer photography… +Continue Reading
Fujifilm has released a limited edition black Fujifilm X100 digital camera. Only 10,000 units will be released worldwide, making it a perfect gift for those collector friends of yours. The original model rolled out in March 2011, with this new version coming in the next couple of months with a leather ever-ready case, lens hood, adapter ring and protective filter. Of course you’ll receive a certificate with your limited edition number on it, and some minor cosmetic changes. As with most limited edition teases, no pricing has been released–but we expect to see it available for pre-order in the coming weeks.
Canon is stepping up their game on bridge cameras, and the new G1X looks like it’s going to be a monster. Massively stepping up sensor size over a traditional point and shoot, this looks like it could be a great semi-pro photo solution.
Mark Guim is gadget blogger elite, and was kind enough to hook us up with some great video coverage from the CES floor. You can find him spreading the good gadget word as @MarkGuim on Twitter.
I totally couldn’t help it. I made a complete fool out of myself, and I absolutely LOVED it.
See, I went to the Pentax booth to check out the new Q system of cameras with interchangeable lenses.
Super small form factor, using a traditional P&S sensor, but allowing the user to swap lenses for different shooting scenarios. I was impressed with the build quality, big bright screen, nice solid weight, even a pop-up flash, and it’s already pretty well accessorized with a small handful of lens options and a hotshoe-mounted eyepiece for those of us who still like getting our noses up in a camera. Performance was quick, focusing was accurate, and even on such a small camera there’s something kinda great about switching lenses and having the ability to turn a focus ring to focus manually. +Continue Reading
I totally got boxed out trying to get my hands on an EOS 1DX, but I managed to elbow my way into playing with a pair of Canon’s new cinema camera, the EOS C300.
Pics can not do this thing justice. It’s beautiful in it’s ruggedness. Having handled all of Canon’s current range of SLR’s, the layout of the C300 felt strange and familiar at the same time. If you’ve ever held a medium format camera, the C300 feels very similar in the hand, and just as heavy. +Continue Reading
Sammy is getting more and more aggressive with consumer imaging, releasing a pair of compact point and shoots: the ST76 & ST66.
Pocketable form factor, 16MP sensor with image stabilization, and fairly fast f2.5 apertures should make these decent performers, even in low light.
Both cameras also boast 720p video recording and in-camera effects which look like fun.
Official word from Samsung after the jump!
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